Lulu Wang’s The Farewell is a festival-goers’ dream, a funny, wrenching, personal, profound, pretty damn perfect film. And it’s also 2019’s first can’t…
If The Room was an unintentional tribute to the fools who dare to dream, then The Disaster Artist is a very intentional one. But somehow, James Franco’s…
The Florida Project, the second feature from Sean Baker, walks the impossibly fine line between magic and desperation with seeming ease. Somewhere in Florida,…