I’ve been wrestling with how to write about The Lighthouse for five days. For all the dwelling I’ve done, I’m no closer to…
In 2009, Zombieland was a breath of fresh air. A horror comedy that was sharp, very occasionally sweet and downright stylish. In 2019,…
I open my fridge and see a plastic container of beans that has found a nice little cranny in the back where it…
When Andy Muschietti’s IT dropped in 2017 it broke box office records and quickly became one of the few successful translations of a…
Good Boys is every bit the outcome you’d expect if you took the minds behind Superbad and Neighbors and tossed them in a…
The Peanut Butter Falcon is a film with such an unexpected name that the title alone makes people smile. “You can’t just make…
All DC Movies should be one-shots. Imagine ditching the franchises and the tedious world-building in favor of standalone experiences that satisfy. Such is…
In 2018, Ari Aster exploded onto the horror scene with his Freshman effort, Hereditary. After nearly netting Toni Collette an Oscar nomination and…
Jim Jarmusch has never been a voice of the people — a voice of some people, to be certain, but mainstream he is…
The Last Black Man in San Francisco defies every convention save one: within moments, it announces itself as something wholly different. Neither good…