In 2018, Ari Aster exploded onto the horror scene with his Freshman effort, Hereditary. After nearly netting Toni Collette an Oscar nomination and…
Jim Jarmusch has never been a voice of the people — a voice of some people, to be certain, but mainstream he is…
The Last Black Man in San Francisco defies every convention save one: within moments, it announces itself as something wholly different. Neither good…
More than 10 years and almost two dozen films built to this — and at the end of it all, the Endgame, if…
Greta is the kind of film that only comes around once in a while. It’s usually in the first quarter of the year…
Isn’t It Romantic? is the anti-rom-com for people who love romantic comedies. Those of us who see through the thin plot devices and…
What seems a Big Little Lies-adjacent foundation transforms into something quite unexpected as After the Wedding blossoms into an insular drama built up…
Lulu Wang’s The Farewell is a festival-goers’ dream, a funny, wrenching, personal, profound, pretty damn perfect film. And it’s also 2019’s first can’t…
I was late to the party. Finally, in December 2018 (my 43rd year on this planet) I got around to watching It’s a…
When it’s been your job since the ’80s to wreck things, you’d better believe you’ll cause some damage when you’re unleashed into the…