In 2018, Ari Aster exploded onto the horror scene with his Freshman effort, Hereditary. After nearly netting Toni Collette an Oscar nomination and…
Lulu Wang’s The Farewell is a festival-goers’ dream, a funny, wrenching, personal, profound, pretty damn perfect film. And it’s also 2019’s first can’t…
Well friends, it’s time for another installment, of “Thank goodness A24 made that movie because no one else would.” After watching and loving Eighth…
On the surface, Lean On Pete, looks like your typical horse movie: an embattled youth, a family tragedy, an emotional journey. It has all of…
Eighth Grade is the painfully awkward, incredibly accurate, agonizingly earnest film about life as a middle school that you never knew you wanted.…
If The Room was an unintentional tribute to the fools who dare to dream, then The Disaster Artist is a very intentional one. But somehow, James Franco’s…
There is (and always has been) ONE RULE to Required Viewing. One of us is meant to have seen the film in question,…
The Florida Project, the second feature from Sean Baker, walks the impossibly fine line between magic and desperation with seeming ease. Somewhere in Florida,…
The Exception is a slyly romantic and suspenseful World War II drama that will take you by surprise. It’s 1940 and the world…
It Comes At Night has been floating around the film buzz circuit with a horror glow about it, but this second feature from…